サンドベルグインスティテュートの雑誌の表紙に作品の写真が。 素材：羊毛と壁
I would like to make it again at somewhere. Please let me know if you know good space for this work.
またこの作品を何処かで再現したいです。もし何か情報がございましたら、お知らせください。
2008年12月17日水曜日
A magazine 雑誌
My work's photo is on the cover of the sandberg institute's magazine. material: wool and wall
サンドベルグインスティテュートの雑誌の表紙に作品の写真が。 素材：羊毛と壁
I would like to make it again at somewhere. Please let me know if you know good space for this work.
またこの作品を何処かで再現したいです。もし何か情報がございましたら、お知らせください。
サンドベルグインスティテュートの雑誌の表紙に作品の写真が。 素材：羊毛と壁
I would like to make it again at somewhere. Please let me know if you know good space for this work.
またこの作品を何処かで再現したいです。もし何か情報がございましたら、お知らせください。
2008年12月5日金曜日
My last year's work will be in Dutch Bank Exhibition
Goudomrand-Vorm en Beeld
Studenten en docenten van de Rietveld Academie en het Sandberg Institute
Tentoonstelling in het bedrijfsrestaurant van de Nederlandsche Bnak,
Weateinde I te Amsterdam.
Van 22 december 2008 tot 6 februari 2009, op afspraak te bezichtigen (alleen op donderdag en vridag):
Telefoon:(020)5242183
Legitimatie verplicht.
2008年12月4日木曜日
museum Warerland PURMEREND
VIEWS
Sandberg Applied Art department
Agenda 2008
27 november - 31 december
VIEWS, 25 (oud)-studenten van het
Sandberg Applied Art department
8 januari - 8 februari (museumzaal)
Jaap van der Pol, schilderijen en
artspam.
8 januari - 8 februari (entreezaal)
'Bloemen' met Hinderik de Groot, Floor
Max, Paul Stap en Mariette Wolbert
Kaasmarkt 16, 1441 BG PURMEREND
Telefoon: 0299-422605
info@museumwaterland.nl
www.museumwaterland.nl
Openingstijden museum, kunstuitleen
en museumwinkel (toegang gratis)
dinsdag t/m zondag 12.00 -17.00 uur
(gesloten op 24 en 25 december)
Museum Waterland heeft de afgelopen jaren regelmatig aandacht besteed aan werk
van gerenommeerde ontwerpers zoals Marcel Wanders, Richard Hutten, Gijs Bakker en
ontwerpburo's zoals NPK. Vorig jaar werden twee tentoonstelling gepresenteerd met werk
van veertig Belgische ontwerpers met kunstvoorwerpen voor dagelijks gebruik zoals stoelen,
lampen, vazen, schalen, e.a.
Een interessant gebied tussen toegepaste vormgeving en de beeldende kunst is de
vrije vormgeving. Het grensgebied op het snijvlak van autonome kunst en vormgeving
met vaak verrassende resultaten. In Nederland is de afdeling Vrije Vormgeving van het
Sandberg Instituut in Amsterdam de enige postdoctorale opleiding op dit gebied.
De afdeling is opgezet in 1995 door Marjan Unger en nu volgen onder de bezielende
leiding van Andre Klein en Gerben Hermanus studenten een opleiding van twee jaar.
De groepen zijn klein met gemiddeld acht studenten van heel verschillende nationaliteiten
zoals bijvoorbeeld Spanje, Japan, Duitsland, Frankrijk en Nederland.
VIEWS zal het karakter krijgen van een museumvullende installatie waarin werk van 25
studenten en oud-studenten wordt getoond. Producten uit heel diverse materialen zoals
keramiek, glas, textiel, en hout. Het Sandberg Applied Art department krijgt de gelegenheid
'bezit' te nemen van het Museum Waterland.
Deze verrassende tentoonstelling wordt geopend op zondag 30 november om 15.00 uur.
Uw aanwezigheid stellen wij bijzonder op prijs.
voorzijde: uitzicht vanuit de afdeling richting Purmerend
CV and text
Asayo Yamamoto
Born 1980 in Tokyo
Lives and works in Amsterdam
STUDIES
2008 Sandberg Institute, applied art department, Amsterdam
2005-2008 Gerrit Rietveld Academy, ceramic department, Amsterdam
2003-2005 M.F.A. Tama Art University, ceramic department, Tokyo
1999-2003 B.F.A. Tama Art University, ceramic department, Tokyo
GROUP EXHIBITIONS
2010
“Kunst Vlaai”, Amsterdam
Yeosu International Art Festival , Korea
Open Studio, Goyang Art Studio, Korea
“Special Story” CYAN museum, Korea
2009
“Vorm en Beeld”
Keramiek expositie bij Financien, Den Haag
DMY International Design Festival Berlin 2009
DOMESTIC MAKING "a house of possibilities" by Applied Art department
The special exhibition DMY Jury Selection by Bauhaus Archiv / Museum für Gestaltung
Kappalai -Havenmuseum Rotterdam NL
Kawasaki Art Session -Kanagawa JP
Blooming Project –Bergen NL
Kappalai no.2 -Siebolthuis Leiden NL
2008
“Goudomrand-Vorm en Beeld”
De Nederlandsche Bank, Amsterdam
" Views"
Museum Waterland, purmerend
2007
“ Pretty Dutch”
Princessehof Leeuwarden National Museum of Ceramics,
Leeuwarden, 22 April – 28 Oktober
Rietveld naar de Beurs 2007, Beurs van Berlarge, Amsterdam
“Mingle mingle”
Exhibition of Contemporary Art Works by Three Female young Artists
Cultural and Information Center of the Embassy of Japan,Brussel,
2006
Rietveld naar de Beurs 2006, Beurs van Berlarge, Amsterdam
2003
SPILAL Hall, Tokyo
“Japan and German Exchange on Ceramic”, Tokyo
2002
“Nanohana-Satomi Hakkenn Exhibition” Asumigaoka/ Chiba
RESIDENCIES
2010
“IASK Asia Pacific Aritists Fellow ship Residensy Program”
Goyang Art Studio of National Museum of Contemporary Art, Korea
2009
Blooming Project, Bergen NL
2006
Artist-in-Residence, EKWC NL
PUBLICATIONS
2008 Contemporary Dutch Ceramics NVK Author: Piet Augustijn
text from Liesbeth den Besten
Asayo Yamamoto studied ceramics at Tama Art University in Tokyo and at the Rietveld Academy in Amsterdam. Presently she is studying at the Applied Arts department of the Sandberg Institute for MA education in Amsterdam. Asayo doesn’t seem very interested in the perfect and skilled Japanese tradition of making ceramics, in which she was initially trained. She is not interested in beautiful forms, but in the touch and feel of materials. Her strange creatures are moulded by hand, and combined with materials, like bicycle tubes, felt, rubber gloves or plastic grass, which create completely different haptic sensations. This object is all about the hand and touch. Fingerprints form the pattern along which the object is entwined with narrow bands of re-used rubber. There is nothing very skilled, shiny or aesthetical about this object, it doesn’t show off. It has no function and it is even difficult to put it somewhere. It is a hybrid without a history but with a self-assured character. She made this object as part of her graduation show in 2008. On this occasion she transformed a technical classroom, filled with all kinds of equipment, into another world with strange creatures growing from or on machines. Some parts of the brick wall were covered with a kind of mildew, made with the help of picked wool.
Asayo Yamamoto is a ceramicist of a new generation, who uses ceramics as the basis for work that expands beyond our notions of ceramics, skill and craft.
Born 1980 in Tokyo
Lives and works in Amsterdam
STUDIES
2008 Sandberg Institute, applied art department, Amsterdam
2005-2008 Gerrit Rietveld Academy, ceramic department, Amsterdam
2003-2005 M.F.A. Tama Art University, ceramic department, Tokyo
1999-2003 B.F.A. Tama Art University, ceramic department, Tokyo
GROUP EXHIBITIONS
2010
“Kunst Vlaai”, Amsterdam
Yeosu International Art Festival , Korea
Open Studio, Goyang Art Studio, Korea
“Special Story” CYAN museum, Korea
2009
“Vorm en Beeld”
Keramiek expositie bij Financien, Den Haag
DMY International Design Festival Berlin 2009
DOMESTIC MAKING "a house of possibilities" by Applied Art department
The special exhibition DMY Jury Selection by Bauhaus Archiv / Museum für Gestaltung
Kappalai -Havenmuseum Rotterdam NL
Kawasaki Art Session -Kanagawa JP
Blooming Project –Bergen NL
Kappalai no.2 -Siebolthuis Leiden NL
2008
“Goudomrand-Vorm en Beeld”
De Nederlandsche Bank, Amsterdam
" Views"
Museum Waterland, purmerend
2007
“ Pretty Dutch”
Princessehof Leeuwarden National Museum of Ceramics,
Leeuwarden, 22 April – 28 Oktober
Rietveld naar de Beurs 2007, Beurs van Berlarge, Amsterdam
“Mingle mingle”
Exhibition of Contemporary Art Works by Three Female young Artists
Cultural and Information Center of the Embassy of Japan,Brussel,
2006
Rietveld naar de Beurs 2006, Beurs van Berlarge, Amsterdam
2003
SPILAL Hall, Tokyo
“Japan and German Exchange on Ceramic”, Tokyo
2002
“Nanohana-Satomi Hakkenn Exhibition” Asumigaoka/ Chiba
RESIDENCIES
2010
“IASK Asia Pacific Aritists Fellow ship Residensy Program”
Goyang Art Studio of National Museum of Contemporary Art, Korea
2009
Blooming Project, Bergen NL
2006
Artist-in-Residence, EKWC NL
PUBLICATIONS
2008 Contemporary Dutch Ceramics NVK Author: Piet Augustijn
text from Liesbeth den Besten
Asayo Yamamoto studied ceramics at Tama Art University in Tokyo and at the Rietveld Academy in Amsterdam. Presently she is studying at the Applied Arts department of the Sandberg Institute for MA education in Amsterdam. Asayo doesn’t seem very interested in the perfect and skilled Japanese tradition of making ceramics, in which she was initially trained. She is not interested in beautiful forms, but in the touch and feel of materials. Her strange creatures are moulded by hand, and combined with materials, like bicycle tubes, felt, rubber gloves or plastic grass, which create completely different haptic sensations. This object is all about the hand and touch. Fingerprints form the pattern along which the object is entwined with narrow bands of re-used rubber. There is nothing very skilled, shiny or aesthetical about this object, it doesn’t show off. It has no function and it is even difficult to put it somewhere. It is a hybrid without a history but with a self-assured character. She made this object as part of her graduation show in 2008. On this occasion she transformed a technical classroom, filled with all kinds of equipment, into another world with strange creatures growing from or on machines. Some parts of the brick wall were covered with a kind of mildew, made with the help of picked wool.
Asayo Yamamoto is a ceramicist of a new generation, who uses ceramics as the basis for work that expands beyond our notions of ceramics, skill and craft.
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